"Guitarist Scott Quinn combines the acoustic sensibilities of John McLaughlin with the compositional edges of King 
Crimson and a taste of Branford Marsalis' Buckshot LeFonque to come up with "Without Until", a mostly 
instrumental record featuring the thrilling drumming of Lee Venters. 
It's a record made for fans of groove and fusion music. 
John Stix Cherry Lane Music

"you will not believe your ears or your eyes,
these virtuoso vets will rock your punk ass."  
The Whiskey

"Without Until with Scott Quinn on guitar and Lee Venters on drums and percussion are not unlike the
 trend setting Mahavishnu Orchestra." This album has moments of brilliance. You should be very proud of the album. Do What? is spot on!.  
Jeff Reid, Editor, The Beat Magazine

"(Scott and Lee) have plenty to be excited about as they poured their melodic magic into their debut CD...
a journey.. that takes listeners through world fusion jazz that fuses elements from around the world....
 from rock and Mid-eastern music, to Spanish guitar and Delta Blues, the record is a smorgasbord
of not only disciplines, but Wilmington talent as well."
Richard Kinback, Encore

"Without Until (are) Jazz Fusion's Next Champions....Next level, mind blowing and soul moving Jazz Fusion...
From the sound of their new record, they could very well be the father's of a new age of fusion in the south!" Moments Guitar Solo is best I have heard. You should be proud of the Entire album! Can’t believe it is “homegrown!”
Chris Wells, Editor, The Village Idiot

""I was just listening to the CD and it was incredible. I just had to call and tell you that.
 Lee Roy Harper Jr.  (James Brown Band)

"Scott you Fu%#@in burn on the record! It is absolutely great!, I mean it is a really really great record! I really like all the ethnic stuff. It is very cool. I am shocked you are not on a major label!”
Rick Waite West LA Music

"It blows me away. It is so tight!  It is happening! I’m impressed and more than pleased to be a part of it. I am honored to be a part it. I can’t stop listening to it. I have it in my car and have listened to it
6 or 7 times now from start to finish."
Kevin Kolb (Pianist extraodinaire)

"I love the album! I love what you did to my solo. I am happy to be a part of the record."
Seth Trachy

"Mistor Hiddy destroyed me. Thru out nice mix. Parts of record, parts of Blue Tango Great things I like what you did with the Bass lines on Morning Dance. I like the psychedelic sounds. I love the variety. Great job.I am very impressed with the mix. I’m proud of you. Ethan, made the tune personal, reminds me of a soul tune, “Always and Forever.” The record has its own sound. It doesn’t sound like anyone else I heard. You guys did a stellar job.
 I can’t wait till the next one. Guitar solos are ripping."
Gary Craddock (late great bassist)

"Hey Scott…looks like you’ve marketed the CD very well---I commend you my friend. I thought our collaboration turned out well though I really enjoyed the work that featured the cooing of your young-un!"
Paco Strickland

"Great Awesome., I love it! It sounds really, really good. Is that me? Hiddy is rockin! Do what? Right on. Charlie nailed it.  It sounds good!  Amazing ripping guitars. I usually don’t just sit around and just listen to music, but I can’t stop listening to this record."
John White (bassist)

"Spectacular, very good, very entertaining, well worth the wait. Brian (my son) and I give it a 2 thumbs up!"
Steven Hendrix

"Really Good stuff. I thought it was fantastic. The Drummer is amazing. Totally fantastic. Really Really Good. Call movie/music libraries. Thank you for including us."
Alex Saraceno (Father to Blues, from Poison)

"I like it, it is extremely weird. I thought it was good. Musically you guys are way beyond. Moments blew me away. Do what? was awesome.  Ethan was inspiring. There is so much intensity on the record.
Bruce Schmidt (druumer)